Roland Barthes: From Work to Text, 1971
McKenzie Wark: Digital Provenance and the Artwork as Derivative, 2016
Jaques Derrida: Signature Event Context, 1972
Nicolas Bourriaud: Postproduction, 2002
David Joselit: What to Do with Pictures, 2011
Michalis Pichler: Statements on Appropriation, 2015
Hillel Schwartz: The Culture of the Copy, 1996/2014
Gene McHugh: Post Internet, 2011
Bruno Latour (and Adam Lowe): The Migration of the Aura – or How to Explore the Original Through Its Facsimiles, 2011
David Joselit: After Art, 2013
Lawrence Lessig: Code, 2006
Susan Blackmore: The Meme Machine, 1999
John L. Austin: How To Do Things With Words, 1955
Umberto Eco: The Open Work, 1962
Jean Baudrillard: Simulacra and Simulation, 1981
Hui Yuk and Andreas Broeckmann: 30 Years after Les Immatériaux: Art, Science, and Theory, 2015
Stephen Wright: Toward a Lexicon of Usership, 2013
Brad Troemel: Peer Pressure, 2011
Debora J. Halbert: The State of Copyright. The Complex Relationship of Cultural Creation in a Globalized World, 2014.
Jacques Derrida: Signature Event Context, 1972
Catherine Liu: Copying Machines. Taking Notes for the Automaton, 2000
Claire Bishop: Artificial Hells: Participatory Art and the Politics of Spectatorship, 2012
Peter Weibel: The Post-Medial Condition, 2005
Marcus Boon: In Praise of Copying, 2010
Jan Verwoert: Living with Ghosts, 2007
Hugh Davies: A History of Sampling, 1996
Hito Steyerl: Too Much World: Is the Internet Dead?, 2013
Jean-François Lyotard: The Postmodern Condition. A Report on Knowledge, 1979
Hito Steyerl: Circulationism, 2014
Rosalind E. Krauss, Yve-Alain Bois: Formless. A User’s Guide, 1997
Roland Barthes: The Death of the Author, 1968
Rosalind Krauss: “Informe” Without Conclusion, 1996
Kim Cascone: The Aesthetics of Failure, 2000
Marisa Olson: Lost Not Found. The Circulation of Images in Digital Visual Culture, 2008
Raqs Media Collective: A Concise Lexicon Of / For the Digital Commons, 2003
Michael Sanchez: Contemporary Art, Daily, 2011
Marshall McLuhan: The Gutenberg Galaxy. The Making of Typographic Man, 1962
Kenneth Goldsmith: Why Conceptual Writing? Why Now? 2011
David Joselit: Painting Beside Itself, 2009
Alessandro Ludovico: Post-Digital Print. The Mutation of Publishing Since 1894, 2012
Juliane Rebentisch: The Contemporaneity of Contemporary Art, 2015
Daniel Rubinstein, Katrina Sluis: A Life More Photographic. Mapping the Networked Image, 2008
Boris Groys: Multiple Authorship, 2005
Artie Vierkant: The Image Object Post-Internet, 2010
Rosalind Krauss: “A Voyage on the North Sea.” Art in the Age of the Post-Medium Condition, 1999
Walter Benjamin: The Task of the Translator, 1923
Eduardo Navas: Remix Theory, 2012
Peter Suber: Open Access, 2012
Judith Butler: Excitable Speech, 1997
Giorgio Agamben: What is an Apparatus? And Other Essays, 2009
Michael A. Noll: The Digital Computer as a Creative Medium, 1967
Stewart Home: Neoism. Plagiarism & Praxis, 1995
Boris Groys: Towards the New Realism, 2016
Laura U. Marks: How Electrons Remember, 1999
Jorge Luis Borges: Pierre Menard, Author of the Quixote, 1939
